The organic world – animals, plants, viruses – is the product of Darwinian evolution by natural selection. Natural selection expresses the idea that organisms (more accurately their genes) vary and that variability has consequences. Some variants are bad and go extinct; others are good and do exceptionally well. This process, repeated for two billion years, has given us the splendours of life on earth.
http://darwintunes.org/
Music, Sounds, Sound-Art, Soundtrack and other nice things to hear and listen... Visit my website: www.duklingstgut.de
Saturday, April 20, 2013
Tuesday, April 9, 2013
Die geheimen Töne unserer Elektronik
Wir kennen alle das Rauschen von Computerlüftern oder das Pling beim Einschalten von Leuchtstoffröhren. Aber selbst die anscheinend geräuschlosen Elektronikgeräte singen leise Lieder. Ihr könnt sie nur nicht hören. Zumindest nicht ohne Hilfe. Redditor TheDanielHolt hat es sich zur Aufgabe gemacht, Elektronik ihre Betriebsgeräusche zu entlocken. Manche summen und einige verursachen eigentlich gar kein Töne sondern magnetische Interferenzen. Er verwendet eine Canon 600D mit der 18-55mm-Serienoptik, ein Sony F-V5 Mikrofon und den Mixer Vivanco MX 800. Das Mikro wird in den Mixer gesteckt und der wiederum in den Toneingang der Kamera. Letztlich wird der Mixer so zu einem Verstärker. Zum Glück können wir dieses ganze Fiepen, Rauschen und Pfeifen mit unseren Ohren nicht hören. Ich glaube, wir würden irre werden.
ein Artikel von Artikel von Andreas Donath [via http://www.gizmodo.de/2013/04/08/die-geheimen-tone-unserer-elektronik.html]
Friday, April 5, 2013
#5 / So ist das Leben
So ist das Leben.
Composition for Sounds, Body, Voice and Space.
Concept/Body: Léonard Bertholet
Concept/ Sounds: Antoine Léchevin
Video Arbeit / Travail / Work with Carnet de Bal.
Künstlerresidenz / Artist-in-residence / Résidence d'artiste - 01-06.2013 - Berlin
Thursday, April 4, 2013
The Wilhelm scream - most successful Sound Effect Ever.
The Wilhelm scream is a film and television stock sound effect that has been used in more than 200 movies, beginning in 1951 for the film Distant Drums.[1] The scream is often used when someone is shot, falls from a great height, or is thrown from an explosion.
Most likely voiced by actor and singer Sheb Wooley, the sound is named after Private Wilhelm, a character in The Charge at Feather River, a 1953 western in which the character is shot with an arrow. This was its first use from the Warner Bros. stock sound library, although The Charge at Feather River is believed to have been the third movie to use the effect.[2]
The effect gained new popularity (its use often becoming an in-joke) after it was used in Star Wars, the Indiana Jones series, Disney cartoons and many other blockbuster films as well as television programs and video games.
[source: http://en.wikipedia.org/wiki/Wilhelm_scream]
[source: http://en.wikipedia.org/wiki/Wilhelm_scream]
Wednesday, April 3, 2013
First attempt in history to record sound and moving image in synchronization (two men dancing).
OTHER TITLES
Title on donor inventory: Dickson violin
Variant title: Dancing men in the Black Maria
CREATED/PUBLISHED
[1895].
SUMMARY
Experimental sound film made for Edison's kinetophone -- a combination of the kinetoscope and phonograph -- but apparently never distributed. This LC copy is silent. Features two men dancing to a violinist.
Shows W. K. L. Dickson playing the violin before a large phonograph horn connected with an off-screen reader while two men dance together. Part of Dickson's sound-synchronization experiments.
NOTES
Copyright: no reg.
Performer: W.K.L. Dickson or Charles D'Almaine.
Camera, William Heise.
Duration: 0:21 at 30 fps.
LC also holds a copy of the synchronized sound version in the videodisc collection, More treasures from American film archives, 1894-1931.
Additional holdings for this title may be available. Contact reference librarian.
Filmed ca. September 1894 to April 2, 1895, in Edison's Black Maria studio in West Orange, N.J.
This film was selected for the National Film Registry.
Sources used: Copyright catalog, motion pictures, 1894-1912; Musser, C. Edison motion pictures 1890-1900, 1997, p. 178.
[via] http://archive.org/details/dicksonfilmtwo and http://lcweb2.loc.gov/cgi-bin/query/r?ammem/papr:@filreq(@field(NUMBER+@band(edmp+4034))+@field(COLLID+edison))
Labels:
Music theorie,
sound history,
Sounds for movie
Tuesday, April 2, 2013
The book of the sounds of Star wars
Any Star Wars fan can mimic Darth Vader's voice or Chewbacca's roar with ease. But how many of them would be able to identify the lion's roar used in the sound of the Millenium Falcon's engine? In this aurally astonishing and visually engaging book, New York Times best-selling author J. W. Rinzler reveals the illuminating history of the sounds that make the Star Wars universe so believable, as recounted by their creator, legendary sound designer Ben Burtt. An attached sound module with an exterior speaker and headphone jack lets readers listen to more than 250 unique sound effects, and more than 300 photographs illustrate the epic's many memorable scenes. From the first films to the animated Star Wars: The Clone Wars series, The Sounds of Star Wars is Star Wars as you've never heard it before.
[via http://www.chroniclebooks.com/soundsofstarwars/]
[via http://www.chroniclebooks.com/soundsofstarwars/]
Labels:
Gadget,
Interactive Sounds,
Sounds for movie
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