Berberian Sound Studio official trailer

Peter Strickland, the director of Katalin Varga, returns with a very different tale with Berberian Sound Studio. Set in 1976, Toby Jones plays a documentary sound engineer who finds himself employed by a notorious low-budget Italian horror studio. Uneasy in his new environment and surrounded by a world he finds alien, he throws himself into his work, failing to notice how life is slowly beginning to imitate art. An homage to the classic Italian Giallos of the period, Strickland's film is another triumph.





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The Wilhelm scream - most successful Sound Effect Ever.

The Wilhelm scream is a film and television stock sound effect that has been used in more than 200 movies, beginning in 1951 for the film Distant Drums.^[1] The scream is often used when someone is shot, falls from a great height, or is thrown from an explosion.

Most likely voiced by actor and singer Sheb Wooley, the sound is named after Private Wilhelm, a character in The Charge at Feather River, a 1953 western in which the character is shot with an arrow. This was its first use from the Warner Bros. stock sound library, although The Charge at Feather River is believed to have been the third movie to use the effect.^[2]

The effect gained new popularity (its use often becoming an in-joke) after it was used in Star Wars, the Indiana Jones series, Disney cartoons and many other blockbuster films as well as television programs and video games.

[source: http://en.wikipedia.org/wiki/Wilhelm_scream]

First attempt in history to record sound and moving image in synchronization (two men dancing).

This short film was a test for Edison's "Kinetophone" project, the first attempt in history to record sound and moving image in synchronization. This was an experiment by William Dickson to put sound and film together either in 1894 or 1895. Unfortunately, this experiment failed because they didn't understand synchronization of sound and film. The large cone on the left hand side of the frame is the "microphone" for the wax cylinder recorder (off-camera). The Library of Congress had the film. The wax cylinder soundtrack, however, was believed lost for many years. Tantalizingly, a broken cylinder labeled "Violin by WKL Dickson with Kineto" was catalogued in the 1964 inventory at the Edison National Historic Site. In 1998, Patrick Loughney, curator of Film and Television at the Library of Congress, retrieved the cylinder and had it repaired and re-recorded at the Rodgers and Hammerstein Archive of Recorded Sound, Lincoln Center, New York. Since the Library did not possess the necessary synchronizing technology, Loughney - at the suggestion of producer Rick Schmidlin - sent multi-Oscar winner Walter Murch a videotape of the 17 seconds of film and an audiocassette of 3 minutes and 20 seconds of sound with a request to marry the two. By digitizing the media and using digital editing software, Murch was able to synchronize them and complete the failed experiment 105 years later. This 35mm film was generously made available to the Internet Archive by Walter Murch and Sean Cullen.


OTHER TITLES
Title on donor inventory: Dickson violin
Variant title: Dancing men in the Black Maria

CREATED/PUBLISHED
[1895].

SUMMARY
Experimental sound film made for Edison's kinetophone -- a combination of the kinetoscope and phonograph -- but apparently never distributed. This LC copy is silent. Features two men dancing to a violinist.
Shows W. K. L. Dickson playing the violin before a large phonograph horn connected with an off-screen reader while two men dance together. Part of Dickson's sound-synchronization experiments.

NOTES
Copyright: no reg.
Performer: W.K.L. Dickson or Charles D'Almaine.
Camera, William Heise.
Duration: 0:21 at 30 fps.
LC also holds a copy of the synchronized sound version in the videodisc collection, More treasures from American film archives, 1894-1931.
Additional holdings for this title may be available. Contact reference librarian.
Filmed ca. September 1894 to April 2, 1895, in Edison's Black Maria studio in West Orange, N.J.
This film was selected for the National Film Registry.
Sources used: Copyright catalog, motion pictures, 1894-1912; Musser, C. Edison motion pictures 1890-1900, 1997, p. 178.

[via] http://archive.org/details/dicksonfilmtwo and http://lcweb2.loc.gov/cgi-bin/query/r?ammem/papr:@filreq(@field(NUMBER+@band(edmp+4034))+@field(COLLID+edison))

The book of the sounds of Star wars

Any Star Wars fan can mimic Darth Vader's voice or Chewbacca's roar with ease. But how many of them would be able to identify the lion's roar used in the sound of the Millenium Falcon's engine? In this aurally astonishing and visually engaging book, New York Times best-selling author J. W. Rinzler reveals the illuminating history of the sounds that make the Star Wars universe so believable, as recounted by their creator, legendary sound designer Ben Burtt. An attached sound module with an exterior speaker and headphone jack lets readers listen to more than 250 unique sound effects, and more than 300 photographs illustrate the epic's many memorable scenes. From the first films to the animated Star Wars: The Clone Wars series, The Sounds of Star Wars is Star Wars as you've never heard it before.




[via http://www.chroniclebooks.com/soundsofstarwars/]

Fighting cats: the power of sound design

Choosing the right Sound design and Soundtrack for your movie can make the difference!



Sound Editor: ignoramusky
http://www.youtube.com/user/ignoramusky

AntekZzz°:... La Métamorphose (Remix) Video

Wrong Sounds in Movies

Space epics almost always play fast and loose with science, treating the laws of physics like suggestions. Sound in space, unprotected bodies splatting in vacuum, and alien planets that all look just like Calabasas. But some movies dismember Newton and Einstein with way more gusto than others. We rated 18 movies based on how many laws of physics they mangled, and here's our report card.

[via i9.com]

My first time on TV!!!

Anfang März laufen auf 3sat die Doku 123Moskau. Zwei Songs von mir und stary86 sind dabei zu hören!!

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La danse blanche (Auschnitt)

Film von Viktor Hoffmann, 2004, für den ich mit Tobias Blumtritt den Ton gemacht habe.

Fluchtplan für das bewegte Bild (Auschnitt)

Diplomarbeit von Viktor Hoffmann. 2005. Ich habe seinen film neu vertont.

Marschmusik

Für dieses Video habe ich den Ton gemacht...

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Der Film zum Diplomthema "Marschmusik.netz"
Inhalt ist die schnelle ohne Infrastruktur geschaffene Kommunikationswelt, die alle im Urbanen Raum miteinander verbinden soll. Selbst wenn man fremd ist, bekommt man über einen Adhoc-Tratsch-CB-Funk schnell zu Kontakt mit anderen.

Gedreht in 2 Tagen in Halle(Saale) brrr war das kalt.

Regie: Holm Hänsel
Kamera: Cong-Yi Lu
Hauptdarsteller: Tine Günther
Schnitt: Gabi Simon
Musik/Vertonung:Antoine Lechévin
Darsteller: Sung-Joon, Franka, Nicole, Tante Erika,
Katrin, Ulrike, Philipp:-), Jörn, Cong, Holm, Nachbarskinder

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Marschmusik.scenario von firmez